After a relatively quiet 2015, the just Area legend return to his firehose production methods, dropping one more slab of brand-new material. However there"s boosting sense that he"s repeating himself.

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E-40 only released one job in 2015—unusual by the prolific rapper"s standards. After dropping naught but twin and triple albums on an yearly basis due to the fact that 2010, a 7-song EP feel might’ve feeling scant in comparison come the tomes to which we had grown accustomed come receiving; instead, the succinctness that Poverty and also Prosperity felt like fresh wait rushing right into a cellar the hadn’t been opened up in decades. But a basic shift in the only Area legend’s method to disseminating his music the EP was not. V The D-Boy Diary: books 1 and 2, E-40 returns to the firehose technique that over the past six years has become his default mode. Except this time around there’s an enhancing sense the he’s start to repeat himself.

The most obvious example: “Uh Huh” is a shameless retread that E-40’s very own “Choices (Yup),” the currently gold-certified track from 2014’s Sharp on every 4 Corners. It supplies the very same call-and-response format, other than it swaps out “Yup” and “Nope” for the nearly synonymous “Uh huh” and also “Mm mm.” even its to win is a simulacrum the its predecessor’s eerie slink, only less eerie and much less slinky. That course, being as inventive a rapper as he is, E-40 quiet manages come cram “Uh Huh” through novel swaths the wordplay: “Your paper shorter 보다 a fake smile (Mm mm!)/My document longer 보다 a murder trial (Uh huh!).” It’s not the only circumstances of déjà vu—many the the twin album’s 44 tracks function production the recalls previously E-40 material in wide strokes if not specific configurations: squelchy synths, block-shaped percussion, and also an unlimited buoyancy.

Which isn’t to speak that any type of of these beats are bad; yes sir nary a dud in the entire batch, however they do feel slightly less imaginative than they have actually in the past. The sheer amount of music on many E-40 projects deserve to amplify this issue—when the beats space as homogeneous as they room here, even the slightest dip in high quality will develop uneventful stretches. For every “Hunedz,” who hydraulic bounce come courtesy of hyphy pioneer rick Rock, yes sir a “Bag ~ above Me,” i beg your pardon hits every the required marks however not an especially enthusiastically, or boilerplate hyphy prefer “The Grit nothing Quit.” every one of E-40’s normal in-house partners are here: native his child Droop-E—whose three contributions room all highlights, the inside-out lurch the “Goon Music” standing tallest—to fellow Californian DecadeZ, every the producer enlisted provide beats that range from guarantee function-starters to merely functional.

As with most of the E-40’s gargantuan projects, the moment that autumn furthest indigenous the average stylistically have tendency to be discovered towards the tail-end of each volume. Book 1’s “Check” is a cooperation with Zaytoven, and also the Atlanta producer known ideal for his work-related with the likes of Gucci Mane and Future offer up one of his iciest monitor in current memory, complete of slow-rolling menace and verging-on-EDM wubs. “2 Seater,” from Book 2, is the many conspicuously anomalous beat on the whole project. Nard N B lug a popular music sensibility to the kid Ink-featuring love song, and E-40 brags around how because that a one-of-a-kind night out with his girl that “booked this room ~ above Hotels.com.” The track’s low-friction glide sets it apart from the remainder of the album’s bottom-heavy focus, but it suits E-40, a rapper that has always had a strong ear because that beats.

It helps that also though the production periodically leans run-of-the-mill, E-40 continues to be as enamored as ever with the physics act that rapping. I do not have anything does the sound an ext energized than on “I had actually It in a Drought,” a joyous back-in-the-day reminiscence that normally doubles together a brag session. The key character of the song, however, is no E-40 himself but rather the bay Area itself: “On Solano Avenue, i bought a apparel store/In Vallejo, California: entrepreneur/Next come Davenport, Elite examine Cashing store/Across the street indigenous Church"s Chicken, it to be on/A pair of doors down, Studio Ton.” His lyrics space so hyper-specific the you can find the really street view making use of Google Maps. And on one album whereby his rubber-ball cadence belies his age (49!), the no surprise that he sounds most youthful rapping around his second favorite subject (after E-40): his hometown.

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Straight thoughts delivered with zig-zagging technique: this has always been E-40’s formula. It sound simple; in reality, the anything but. His rapping style—all over the win without gift bucked off, concurrently pushing and also pulling in every directions—is one that few if any try to almost right at all, let alone lift wholesale. It’s therefore inextricably linked with him that it would sound alien coming indigenous anyone else. And also the obstacle is he makes it sound as natural as breathing. “I’m a master of reality/Rap about great times and casualties” that raps ~ above “Blessed by the Game.” There’s constantly been an underlying existing of civic duty in his music, one unquenchable require to document the events approximately him because that the advantage of future generations—and this one, too. The D-Boy Diary is just further proof that as lengthy as he’s alive, E-40 i will not ~ stop.